What’s on?
We will be releasing a full schedule soon but here is a taster of some of the thing to see at Fulldome UK this year.
Real-time Performances
Shorts
As well as submissions from individuals we will be showing work from the following organisations and establishments
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We would also like to thank and acknowledge the help support of the Fulldome festival and Domefest with our shorts program.
Talks
Towards a New Sonic Language – Pip Greasley – UK
Pip Greasley has been devising soundtracks for immersive environments for over 25 years in electronic opera installations like the ‘5K Pursuit Opera’ and ‘The Last Broadcast’. Since 1999, he has created the music scores and sound design for many of the best known Full Dome shows including the award-winning ‘Astronaut’ (for the National Space Centre) and ‘STARS’ (for the Sudekom Planetarium, USA), which pioneered concepts such as ‘collateral sonics’ and the ‘fictive membrane’. He is currently writing the soundtrack for ‘To Space and Back’ for the US based SkySkan for release Spring 2013. Pip is a visiting lecturer at De Montfort University.
Soundtrack Production From Script to Screen – Michael Daut (E&S) – USA
Using our latest film, Robot Explorers 3D, as a case study, we will discuss the creative process in bringing the soundtrack to life throughout the production process, from development through delivery of the completed show. We will discuss music, sound design, narrator casting and recording, final mix, and technical issues related to fulldome production.
Immersive tools for an open community – SAT – Canada
After years of research in the field of immersion, construction of the first immersive theatre dedicated to cultural and social research and development, full year opened laboratory and production department dedicated to immersive works and contents, SAT place itself as a world leader in uncommon application of spherical imagery.
Fulldome research at Kiel university of applied sciences – Juergen Rienow – Germany

